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If you have ever been so terrified of losing the upper hand that you sabotaged your own happiness, you will feel that "okay" in your bones. While the Nick/Frances dynamic drives the plot, the soul of the book is Frances and Bobbi.

But it is real .

In one of the most devastating scenes, Nick tells Frances he loves her. Frances’ internal reaction is violent and emotional, but her external response is a flat: "Okay."

Here is why Conversations with Friends deserves to be read not as a prelude to Normal People , but as a masterpiece of performance anxiety. Meet Frances. She is 21 years old, a talented poet, a performer, and a walking contradiction. She has endometriosis, she is financially scraping by, and she has an almost pathological need to seem unbothered.

This stylistic choice mimics the experience of anxiety. The line between what is real (spoken) and what is internal (thought) blurs. Frances lives so much in her head that she sometimes forgets to actually live in the room. Conversations with Friends is not a comfortable read. Frances is prickly, self-destructive, and often unfair to the people who love her. Nick is frustratingly passive. The ending is ambiguous.

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