Cybill | Troy

The show was a cultural phenomenon. Shepherd and Willis crackled with "will-they-won't-they" sexual tension, breaking the fourth wall and mixing noir dialogue with pop-culture jokes. But behind the scenes, Shepherd and Willis famously feuded. The tabloids loved it. She was blamed for delays (due to perfectionism and a demanding shooting schedule). Still, she won a Golden Globe for Best Actress in 1986. The show made her an icon for working women: smart, brittle, glamorous, and exhausted.

After Moonlighting ended in 1989 (due to cost overruns and behind-the-scenes turmoil), Shepherd re-emerged in the 1990s sitcom Cybill (1995–1998). Here she played a fictionalized version of herself: an aging, divorced actress in Hollywood, dealing with a narcissistic ex-husband and a cynical daughter (played brilliantly by her real-life daughter, Clementine Ford). The show was praised for its feminist take on middle age, earning Shepherd two more Golden Globe nominations (and one win for Best Actress in a Comedy). cybill troy

Born in Memphis, Tennessee, in 1950, Shepherd was discovered by a talent scout while winning a local beauty contest. Her first major role was seismic: director Peter Bogdanovich cast her as Jacy Farrow in The Last Picture Show (1971). In that black-and-white masterpiece, she played the town tease—a girl who weaponizes her sexuality out of boredom and desperation. The role earned her a Golden Globe for Most Promising Newcomer. The show was a cultural phenomenon

In 2000, she published her memoir, Cybill Disobedience , which was brutally honest about Hollywood sexism, her feuds with Willis and Bogdanovich, and her struggles with the "bimbo" label. The tabloids loved it