She is an actor for whom English is simply another stage—and she owns every inch of it. Jana Čtveráčková continues to perform in both Czech and English at venues including Dejvické divadlo and international festivals. She is represented for English-language work by [agency name if known, otherwise remove].
In the rich tapestry of Czech theatre and film, few names carry the quiet, versatile weight of Jana Čtveráčková . To the casual viewer, she is the familiar face from Terapie (the Czech adaptation of In Treatment ), the sharp-witted presence in Most! , or the nuanced performer in dozens of Czech crime series. But to ask her colleagues and international festival directors the question, “Co si můžete zahrát anglicky?” (What can you play in English?) is to open a door into a remarkable second career—one that bridges the linguistic and cultural gap between Central Europe and the Anglophone world. Jana Ctverackova - Co si muzete zahrat anglicky
She sees language not as a barrier but as a costume. “A character isn’t just what they wear or how they walk,” she says. “A character is how they think. And thinking in another language is the most radical transformation an actor can make.” So, what can Jana Čtveráčková play in English? The answer is no longer a hesitant list of small parts. It is a confident declaration: She can play your protagonist. She can play your villain. She can play your Shakespeare and your Sarah Kane. She can play the woman who breaks your heart and the woman who steals the scene. She is an actor for whom English is
Her advice to young Czech actors is blunt: “Do not wait for the international casting director to find you. You must walk into the room and answer the question before they ask it. Say: ‘I can play your lead. And I can do it in your language.’” Perhaps the most famous answer to “Co si můžete zahrát anglicky?” came during a 2022 casting session for a Dutch-Czech psychological thriller. The director, knowing Čtveráčková’s reputation, asked her to improvise a three-minute monologue as a woman confessing to a murder—in English, with a specific regional American accent (Baltimore). In the rich tapestry of Czech theatre and