Thus, dramatic irony (where the audience knows more than the characters) now works differently: the algorithm knows the categories, but the lovers only gradually discover whether those categories actually predict compatibility.
Search categories are not neutral tools; they are narrative devices. They pre-structure romantic storylines into genres of efficiency, irony, and constraint. To restore narrative richness, future dating algorithms might introduce “wildcard categories” or “mandatory contradictions”—forcing users to search for one trait they dislike, thereby reintroducing friction and, with it, the possibility of a story worth telling. Searching for- mansion sexmex in-All Categories...
Critics argue that searching categories destroy serendipity—the joyful accident that drives romantic plots. We counter that search categories merely . In an analog world, surprise occurred at the point of meeting. In a digital world, surprise occurs after matching, when the categories are revealed to be incomplete or misleading. Thus, dramatic irony (where the audience knows more