"I needed to detox from the noise," she admits. "For a decade, my body was the product. Now, my peace is the product." Since stepping back from performing in the mid-2010s, LaCroix has dedicated herself to the study of somatic therapy. Her home studio in the Pacific Northwest is a testament to her new ethos: cedar wood, weighted blankets, and a vinyl collection that ranges from Enya to Nick Cave.
"Thunder is just energy dissipating," she notes as our time wraps up. "It’s loud, yes. But it’s also the sound of pressure releasing. That’s what I want my legacy to be. Not the crash, but the release." Thundercock - Remy LaCroix -24.09.2024-
As we sit down on a brisk late-September afternoon, the metaphorical "thunder" of her past feels distant. LaCroix, now in her late thirties, exudes a serene confidence. The conversation drifts away from the tabloid headlines of yesteryear and settles on what truly matters to her now: wellness, creative control, and the art of reinvention. When asked why she chose "Thunder" as a metaphor for this current phase of life, LaCroix smiles knowingly. "I needed to detox from the noise," she admits
"I tell them: The crowd will always cheer for the storm. But you have to live in the aftermath. What does your house look like when the rain stops?" Looking ahead to the rest of 2024 and beyond, LaCroix is focused on a single word: stillness . She is currently editing a short documentary about the therapeutic use of sensory deprivation tanks—a project she funded entirely through a modest Patreon following. Her home studio in the Pacific Northwest is